Our 3-night 4-day trip to two Visayan provinces--Negros Occidental and Iloilo--was packed with sights, shopping, and sustenance. It began early morning March 28, and one of the few times we were all early or on time was the 8:20am check-in at PAL's domestic terminal--21 of us scheduled to leave on the first PAL flight to Bacolod were all present and accounted for (there were 25 total; our leader, Sony Ng went ahead, and Celeste Gallardo and her two daughters followed on the evening flight). ***click on the photos to see a larger image.

First stop on the itinerary was the Negros Museum, located in the old provincial capitol building, which also houses the Jose Garcia Montelibano Gallery of International Folk Art & Toys--home of the impressive toy collection of Mara Montelibano (MVP's March After-8 speaker). The museum, opened in 1996, introduced us to the history of the province and the sugar industry. We were very fortunate to have Lilibeth Cordova LaO, the museum director, show us around.
Bacolod, the capital of Negros Occidental, is the gateway to the country's sugar lands. It is a relatively new city and was built on income from sugar farming. The area has many families whose wealth was generated from sugar plantations. About 30 years ago sugar prices plummeted below production costs; mansions and monuments are remnants of the sugar heydays.

From the museum we walked to the delightful NFEFI Biodiversity Conservation Center. Aside from being  a breeding and rescue center for endangered and endemic species (plants and animals), lectures and camps on environmental awareness and education are provided to people of all ages. Among the endemic animals we saw were the Visayan spotted deer (until the turn of the century, deer were abundant; now only a few hundred remain in the wild and they are one of the two most endangered species in the world) and a number of Visayan tarictic hornbills (critically endangered). One of my favorite residents was a hornbill, actually from the Davao area, that was rescued from someone trying to smuggle him out of the country; happy to entertain, he was quite the flirt and had fabulous eyelashes. I left the center hoping that this project survives the test of time and changes in governments (both local and national).

Unfortunately (or fortunately for our wallets) the Negros Showroom was under renovation. After refreshments (it was hot so most of us had cold water and ice cream) at Chicken Deli we proceeded to Casa Grande, probably Bacolod's most famous antique store. 

Before dinner, most of the group went to the city market and came back with a variety of crafts from the Visayas and Mindanao. That evening we feasted on typical Negrense food at Bar 21, a family restaurant (they have an outlet at MegaMall called Balay 21).

A little after 8am we boarded the official bus of Silay City and headed north. Ramon Hofileņa was our very knowledgeable guide and host for the day. First stop was the Virgen Sang Barangay, inside Santa Clara subdivision of Bacolod. This wood and capiz shell chapel is decorated with saints made from intricate shell mosaics. The mural  behind the altar took 100 days and 95,000 pieces of shell to make. Mrs Leticia Sia Ledesma, a noted shell artisan, supervised the mural, based on a painting done by a leper, and all the other shell mosaics.

The next scheduled stop (we did a pot stop at a pottery and a photo stop at the Silay church) was the Bernardino Jalandoni Ancestral House in Silay. Through the Silay Heritage Foundation this house, built in 1908, has been converted into a museum and is an excellent example of how the elite lived during the glory days of Negros' sugar industry.

After a glimpse into how the area's elite lived, we continued on to Victorias Milling Company (Vicmico). The most outstanding attraction of Vicmico is the striking mural inside the Chapel of Saint Joseph the Worker. It was through the ideas and funds of the Ossorio family (Don Miguel Ossorio founded Vicmico in 1915) that the chapel was built (1948-1950). The interior and exterior artwork add to the charm of the chapel. The mosaics and murals on the outer walls and the wall inside the baptistery were by Ade de Bethune (assisted by Romulo Santa Ana). The sculptural works, by Benjamin Valenciano, portray the saints as Filipinos. 

Once inside, all attention is drawn to Alfonso Ossorio's mural. It took the internationally acclaimed painter, one of Don Miguel's son,  eight months to finish this masterpiece. 

From the chapel we were taken on a tour of the sugar mill where we learned more about the milling process and were treated to a taste of freshly milled sugar. This was followed by lunch at the VMC Golf and Country Club.

After the meal we headed north to Manapla to see the unique Chapel of Cartwheels, on the Gaston estate. Patriarch Yves Germaine Gaston, a Frenchman who married a Filipina, was a pioneer in Negros' sugar industry; between the chapel and the Gaston Mansion are what remains of Gaston's sugar mill. Though small, the high ceilings and sliding walls make the tepee-like chapel feel airy and larger. It was made with local materials, including farm implements. Cartwheels make up the sliding walls, the windows are stained glass in cartwheels, and a Filipino Christ is crucified on a cartwheel.

After a bit of a delay (a few members browsed through the Gaston mansion) we headed back to Silay City, had a brief stop at ATON for local delicacies and souvenirs, then a quick tour of Balay Negrense. This museum, the Gaston family's ancestral home, showcases post-Spanish era lifestyle, and local art and culture.

Next we proceeded to the Hofileņa Ancestral Home, where Ramon lives and has a very impressive collection of rare antiques and artworks. Ramon graciously welcomed us into his house, showed us family pictures, and gave us a brief demonstration of and background on printmaking (an art he specializes in and teaches). The highlight was a tour of his collection upstairs; we were in awe--there are incredible pieces by national artists and some unknowns, and a sketch by Jose Rizal.

The remainder of the tour was food-trippin--we went to El Ideal Refreshment for tasty guapple pie (this pie--"apple-pie style"-- is made with a large type of guava that the locals call "guapple"). Next was the home of the Legaspi sisters for delicious Pastel de Manga (similar to mini-turnovers; we wiped out their stock) and Piaya (a Negros specialty). Due to the lack of time we headed back to Bacolod, unable to visit the Sweet Greens Orchid Farm. We did however stop just by the entrance marker to Silay City to take photos of  the rows of noodles being dried in the sun.

About half the group had a delicious dinner at Chicken House. We feasted on Chicken Inasal--a Bacolod specialty--and other charcoal broiled dishes. The rest of the group had dinner at  A Cup of Art Cafe Gallery, owned by artist Charlie Co. Those who went were treated by the artist to a viewing of his works. 

enter here for days 3 & 4